The Fender Champion Amp is a 5W tube guitar amplifier with a 6-inch speaker and 1950 "two tone" cosmetics. This simple tribute to the cute and collectible 1949-53-era Fender guitar amplifier makes small-room sessions lots of fun! Originally intended as a student model, the Champion Amp (also known as the Champ) has also been employed by many professionals for its low output, easy-to-record capabilities. Fender has added a higher-gain preamp circuit to take the overdriven tone beyond that of the original, and a choice of High- or Low-gain inputs. An internal speaker output jack allows the use of a larger speaker cabinet.
The original Champion 600 had a low-gain preamp with 6SJ7 tube; the 12AX7 and associated tone circuitry lets the amp be driven harder for more overdrive. 5W tube power amplifier driving a 6-inch speaker provides perfect low volume for practice or recording. Internal speaker can be disconnected, allowing amp to be used with a larger external speaker cabinet.
Features:
Two inputs (Instrument And Microphone)
Control: Volume
Covering: Brown And Blonde Vinyl Covering; Vintage-Correct 1950 "Two Tone" Cosmetics
Type: Tube Amplifier
Output: 5 Watts
Ohms: 4 Ohms
Speaker: One 6 Inch, 4 Ohm Special Design Driver With Ceramic Magnet
Weight: 15 Lbs (7 Kg)
Dimensions
Height: 11" (28 cm)
Width: 12" (31 cm)
Depth: 7.5" (19 cm)
TUBES
1-12AX7A
1-6V6 (diode rectifier)
Features: Tube Preamp And Tube Power Amp (One 12AX7 tube; One 6V6 tube)
The Kirk Hammett Signature KH15 is a guitar practice amplifier that is both powerful and portable. The combo amp includes 2 channels: clean and overdrive, with a high-gain boost mode. Use this signature Kirk Hammet combo as a great practice amp or for shredding around your house.
The Squier Black and Chrome Fat Strat is the ultimate fashion accessory in an electric guitar. This sleek, gloss black and chrome Stratocaster looks great under the lights. It's also an electric guitar that screams, thanks to a hot bridge humbucker, while 2 single-coils cover the traditional Strat sounds.
The Vox Valvetronix VT15 is a 15W combo amp that gives you 22 amp models ranging from the latest high-gain types to hard-to-find boutique and vintage amps. The Vox VT15 also boasts a full complement of effects, allowing it to cover the needs of a wide variety of styles and performance techniques. The VT15 amp also includes 66 preset programs, including 22 song programs that simulate the guitar sounds of famous guitarists. Now even beginners can start enjoying serious guitar sound right away.
The VOX Valve Reactor circuit is the key factor that separates the Valvetronix amplifiers from other modeling amps. The 100% analog original power amp circuit actually has the same power amp circuit as a full-tube amp, using a 12AX7 miniature triode to reproduce a distinctive tube amp sound unattainable by digital technology. It replicates aspects that have an important influence on the sound of a tube amp, such as A/AB operation and the interaction of the power stage with the speaker.
Features:
15W combo amp
VOX Valve Reactor circuit uses a 12AX7 to produce real tube power amp sound
22 realistic amp models are built in, ranging from the latest high-gain types to unobtainable legendary boutique amps and vintage amps
12 high-quality effects including independent reverb, rivaling the quality of dedicated units
3 banks (basic, effected, and song) are provided for each amp model, giving you a total of 66 preset programs
22 programs of "song presets" simulate the sounds of famous guitarists
You can save 8 of your own edited programs
Power level control allows you to adjust the output wattage of the power amp, so you can obtain that distinctive power amp distortion even at low output levels
Headphone output lets you practice at home, day or night
The MXR M-104 DISTORTION + Guitar Pedal can be set to produce low volume controllable distortion or increased to achieve a warm tube overdrive. Maxed out the MXR M-104 Pedal produces an extreme fuzz with long sustain.
This little yellow box is responsible for those great distortion sounds heard on so many classic recordings. Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for the tone that made Randy Rhoads famous. There still isn't any distortion unit on the market that sounds like the Distortion+.
The DigiTech Screamin' Blues Overdrive Distortion Pedal is designed for guitarists who need a pedal that gives them total control of their tone and is highly responsive to playing dynamics. Playing the Screamin' Blues pedal lightly produces mild overdrive, but dialing up the gain and digging in hard makes it sing with ultrarich harmonics and sustain. Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies. The Level knob boosts the output level of your signal, and the Gain knob dials up the distortion. An Amp output on the DigiTech Screamin' Blues pedal goes to your amplifier and the dedicated Mixer output has a cabinet emulation circuit that lets you run direct into a mixer or recorder when you don't want to lug your amp along.
The Ibanez RG350MDX Electric Guitar takes the RG series further into the metal zone. Many players have selected the Ibanez RG as their weapon of choice for visiting sonic mayhem on the metal masses. With an impressive pickup array, flat and fast bolt-on neck and double-locking trems, the RG has dive bombed and crunched its way to classic status. Though it rocks heavy, the RG350MDX is made of comparatively lightweight basswood, which makes it very comfortable for extended playing. With a good balance of highs and lows, basswood is between alder and mahogany in sound character. Specially placed IBZ humbuckers bring the hard-edged cutting tone heavy rock demands while a middle single-coil pickup gives you sonic versatility. 24 jumbo frets and a fast Wizard II neck offer easy playing for leads and rhythm, and an Edge III bridge offers great tremolo control.
If you're looking for a guitar that'll do serious sonic damage, here it is. This SG-inspired Epiphone custom comes loaded with a trio of humbuckers for extra bite, and 3 volume controls for infinite blending. Limited lifetime warranty.
The Epiphone G400 Custom SG-styled electric guitar has more custom appointments than you can shake a stick at. This beautiful guitar features 3 humbucking pickups, gold hardware, binding on the neck and headstock and bold block neck inlays. The fattest sounding of all SG-style guitars, the triple pickup design sounds huge. Other features include a mahogany body, a set-in mahogany neck, a rosewood fingerboard, and 24 3/4 inch scale length.
The Seymour Duncan APH-2s Alnico II Pro Slash Humbucker Electric Guitar Pickup Set honors guitar hero Slash with his first signature pickups. The tone of this pickup set will be familiar to anyone who has heard Slash's recorded tone. Though he has dozens of amazing guitars, since 1986 Slash has pretty much used one very special Les Paul for all of his recordings. The Alnico II Pro Slash was designed to give Slash's other Les Paul guitars (what he calls his "live guitars") the exact tone of his legendary guitar.
Like the standard APH-1 Alnico II Pro, which Slash has used for years, the Slash APH-2 set uses Alnico 2 magnets. However, the Alnico II Pro Slash is wound with just enough boosted output to push a stock Les Paul toward the sweet sustain and rude crunch that characterize Slash's sound. In addition, Seymour Duncan enhances the APH-2 pickups with some of the same appointments found on the Duncan pickups seen in Slash's '86 recording axe: a single-conductor cable, a long-legged bottom plate, and a wooden spacer. For true fans, or for players who want to capture Slash's recorded tone, these Seymour Duncan pickups are a critical part of the tone chain. These are same pickups found in the newest Gibson Slash model Les Paul guitar.
With the ubiquitous top hat and shades, a mop of black curls obscuring his face, and a blazing electric guitar tone blasting through a wall of amps, Slash epitomizes the very reasons we first air-strummed a low-slung tennis racquet in the privacy of our bedroom. For over 3 decades Slash has relied on Seymour Duncan pickups for his guitar tone.
Applications:
Warm, moderate-output humbucker. Recommended for jazz, blues, and classic rock.
Complete setup:
The Slash aficionado will use a pair of these pickups to capture that unmistakable tone. This pickup matches well with the SFX-11 Twin Tube Blue all-tube overdrive-distortion stompbox (sold separately) for singing leads and authoritative chording.
Guitars:
While designed for use in a Les Paul, this pickup works well in any well-balanced humbucker-equipped guitar. Also works great with hollow and semi-hollow body guitars.
The Alnico II Pro Slash is hand built in Seymour Duncan's Santa Barbara, California workshop and includes all mounting hardware. Recommended for the neck and bridge position.
The HT-DUAL pedal from Blackstar ' s HT Range of tube overdrive pedals features true high-voltage (300V) circuitry and are packed with innovations and tone. The revolutionary, patent-applied-for tone-shaping feature ISF (Infinite Shape Feature) will redefine the tonal expectations of guitarists.
HT-DUAL pedal ' s Channel 1 has either Clean or Crunch modes so it can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a 3-channel tone machine. The ISF control takes you from ' British Valve ' to ' Modern American ' and anywhere in-between.
PURE TUBE DISTORTION
The HT-DUAL has high voltage tube design for true tube dynamics and feel. 2 cascaded ECC83 triode stages for gain from warm boost to screaming lead. Enhanced tone network for massive tonal flexibility with traditional passive network musicality. Patent-Applied-For ISF control allows access to infinite new sounds. Emulated output is a new benchmark design for pro direct recording sounds. High-integrity bypass for silent switching and driving long cables.
Expanding on the powerful Valvetronix amp and cabinet models, the ToneLab EX provides 11 standalone distortion pedals that can be used in place of one of the amp head models, giving you a truly diverse range of tones to cover many musical styles.
Following the cabinet models, the ToneLab EX features a full complement of spatial-type effects such as modulation, reverb, and delay, allowing you to complete your guitar sound without any other equipment. A full-sized VOX expression pedal ensures stability while performing, and the intuitive Stomp Box mode places six effects on a virtual pedalboard at your feet, with real stompbox control!
Tube-driven Valve Reactor circuitry
The ToneLab EX carries on the most important benefit of the Valvetronix line: true tube sound produced by a real 12AX7 triode vacuum tube. VOX created the Valve Reactor to satisfy their belief that the sonic tonal character of tubes can be obtained only by using real vacuum tubes. This unique VOX addition draws a clear distinction between the ToneLab EX and the modeling products from other manufacturers, and generates an overwhelmingly powerful sound unobtainable from other multi-effect units.
Sophisticated amp & cabinet modeling technology
Throughout history, there have been numerous amps that have inspired guitarists in every era and have been the motivating power behind countless classic performances. The ToneLab EX provides 33 distinct amp models that include such vintage amps, sought-after boutique amps, today's high-gain amps, as well as new amp models developed by VOX. The 11 cabinet models perfectly reproduce the depth, response, and resonances of various combo amps and extension cabinets. By mixing and matching amps and cabinets, the ToneLab EX provides some 363 exciting combinations!
33 Amp Models (Three variations of each):
CleanCali CleanUS BluesUS 2x12VOX AC15VOX AC30UK RockUK MetalUS Hi-GainUS MetalBoutique Metal 11 Cabinet Models:
Tweed 1x8Tweed 1x12Tweed 4x10Black 2x10Black 2x12VOX AC15VOX AC30VOX AD120VTXUK H30 4x12UK T75 4x12US V30 4x12 Standalone Drive Pedals
ToneLab EX provides a rich array of front-end, pedal-type effects such as overdrive, distortion, and fuzz. In addition to covering classic models, the ToneLab EX accurately captures today's cutting-edge units as well. These pedal modes can be placed in front of the vacuum tube stage in place of the amp models. You can use the Gain, Treble, Middle, and Bass control knobs for detailed control of the parameters allowing complex, pedal-centric sound editing.
11 Standalone Pedal Models:
Tone DriveBrit LeadFat DistMetal DistRock PlanetTube DXBig FuzzVOX Tone BenderOcta FuzzTechno FuzzCrusher Professional Effects
Effects are an indispensible part of creating any guitar sound. In addition to the 11 standalone pedal model effects discussed above, the ToneLab EX provides 34 additional effects (for a total of 45 different types!). These include numerous effects that are often in demand by today’s guitarist, such as the VOX wah effect, an array of classic effect pedals, and studio-quality rack effects. All effects can be intuitively controlled using the knobs, ensuring that even beginners will be able to create the sound they want. Four types of delay (including Tap Tempo) and three types of reverb are provided, with a unique knob that allows simultaneous selection of the effect type and adjustment of the mix amount. In addition, noise reduction is also provided, eliminating the hiss that can be a problem with high-gain amp setups.
Pedal 2 Models (11 types):
VOX 845 WahBRN OctaveAcousticRing ModU-VibeClassic+Tube ODBlue DriverGold DriveOrg DistGermanium Fuzz Modulation/Delay Models (11 types):
CE ChorusMulti ChorusFlangerOrg PhaserTwin TremVibratoG4 RotarySlow AttackPitchFiltronTalking Mod Delay Models (4 types):
Analog DelayTape EchoSDD-DelayMulti-Delay (with tap tempo)
Reverb Models (3 types):
Spring, Room, Hall
Noise Reduction (1 type)
200 ready-to-play programs including 50 Song Presets
100 Preset Programs are provided for immediate use. Each one skillfully combines the right amp/pedal model, cabinet model, and multiple effects to accurately portray a particular musical style and performance technique. The professional sound team at VOX has created 100 of these Preset Programs. Included in this group are the 50 Song Preset programs. These Song Presets provide spot-on recreations of the guitar sound used to define a classic guitar track – familiar songs that everyone knows. By using the Song Presets, even guitarists who are unfamiliar with multi-effect units will be able to enjoy the ToneLab EX's versatile sound right away. In addition, you can store 100 User Programs containing the customized settings you've edited and saved yourself. Together with the preset programs, the ToneLab EX delivers a total of 200 instantly accessible programs. Rugged and road-ready, with a full-size VOX expression pedal
Featuring a durable metal chassis, the ToneLab EX also offers a full-size expression pedal. Providing realtime control of the wah and volume effects that are such vital elements of a live performance, this pedal can also be used to control the parameters of a variety of effects. The popular Quick Assign function borrowed from earlier ToneLab pedals is also provided. The parameter you're currently editing can be instantly assigned to the pedal, so it's easy to change the function of the expression pedal whenever you want. Intuitive, dual-mode panel places great tone at your feet
In the Program Select mode, the pedal switches are used to call up the correct bank and select a program. The ToneLab EX also provides a "Stomp-Box mode," in which the effects assigned to the current program are individually assigned to the foot switches, so that each effect can be turned on and off individually as you play. This mode is perfect for when you are using the same effects throughout a song, but might only need the delay on during the solo. Simply stomp the delay on, without the need to create two separate programs. This second mode conveniently transforms the ToneLab EX into a virtual pedal-board. The high-quality sound of each individual effect rivals that of stand-alone processors, while still providing the enormous convenience of carrying all of these comprehensive amp models and premium effects as a single unit. Self-contained, with built-in stereo monitor speakers
In a first for a ToneLab effects unit, VOX has included miniature stereo speakers allowing you to conveniently listen to your sound without having to connect a guitar amp or headphones. This is extremely convenient for last minute backstage editing, programming in private, or just being able to audition your sounds. Each speaker has its own 0.3 Watt amplifier. Easy tuning
The ToneLab EX features a Normal/Strobe chromatic tuner using a newly designed and easy-to-read LED display that's highly visible – even on a dark stage! Compared to previous ToneLab models, the ToneLab EX offers more LEDs, allowing more precise tuning. In addition to the Normal tuning mode, there's also a Strobe mode that makes it fun to tune while watching the flowing LED illumination. Mute and bypass features are also provided, ensuring smooth tuning when you're on stage. Versatile Ins and Outs
The output jacks provide an Amp/Line output switch to provide optimal sound through any amp or system. For recording, connection to a power amp, or when connecting directly to a mixing console, set the switch to the Line position and enjoy using the Total Equalizer feature to shape the final tone of your sound through the connected system. When connecting the ToneLab EX directly to a guitar amplifier, set this switch to Amp, and select either VOX (For VOX amps), F (for a mostly clean, open back American combo amp), or M (when using a typical British amp with a separate head and a sealed cabinet). This ensures that you'll be able to maximize the ToneLab EX's sonic potential in any situation. An AUX IN jack allows you to connect an external audio source such as your CD/MP3 player so that you can jam along with the sound of your favorite bands. As you can see, the ToneLab EX is designed to support the guitarist in many ways! USB computer audio interface
The ToneLab EX contains an ASIO-compatible USB audio interface that is ideal for use with any computer. You can use it with your DAW software to easily record audio tracks. Librarian software for managing ToneLab EX programs is also provided, and this also allows easy transfer of data between users. Plus, you can build up different libraries of programs for different gigs or musical styles! The Librarian software is available as a free download from the VOX website; both Windows and Mac are supported.
The Fender Vintage Noiseless Tele Pickup Set is for those who have always hoped they could find a humbucker with the bite, snap and snarl of a '60s Tele pickup. Now Fender has made that dream a reality. Designed with Special Alnico V magnets and enamel-coated magnet wire, these innovative stacked Tele pickups are even quieter than standard humbuckers! The neck pickup has a nickel silver cover for added clarity while the bridge pickup produces the traditional Tele twang. Each pickup proudly displays the Noiseless logo for more of that classic Fender vibe.
Features:
'60s Tele twang, snap, and snarl combined with humbucker quietness
Special Alnico V magnets in a stacked configuration
Enamel-coated magnet wire
Neck pickup has nickel silver cover for added clarity
Bridge pickup developed to produce traditional Tele tone
The Ibanez RG321 Electric Guitar has a Wizard II neck crafted from 3 pieces of maple, and features a bound rosewood fretboard with 24 jumbo frets and pearl dot inlays. The solid mahogany body dishes up miles of sustain, enhanced by a fixed, string-thru bridge. Equipped with dual Ibanez humbuckers, it can burn down the house.
The LTD MH-103 electric guitar from ESP features a bolt-on 3-piece maple neck, basswood body with gorgeous quilted maple top, and a maple fretboard. The thin U-shaped neck with 24 extra jumbo frets provides comfort and speed. An ESP humbucker and 2 single-coil pickup configuration provides lots of tone versatility. ESP tuners keep you tuned so you'll sound your best. Volume, tone and a 5-way toggle give you options with simplicity. Tremolo bridge lets you dive=bomb the night away. Black nickel hardware finishes off a great look.
The Epiphone Korina 1958 Explorer Electric Guitar has a riff-friendly 24-3/4" scale mahogany neck with rosewood fingerboard. 2 humbuckers give it its rock 'n roll voice with 2 volumes, one tone knob, and 3-way switch for shifting from rhythm to high-altitude leads. Swept-back body is made of korina wood, which is lighter and brighter than mahogany and promotes resonance. LockTone Tune-O-Matic bridge and stopbar tailpiece for more sustain and easier string changing.
Features:
Korinia body
Mahogany set-in neck
Rosewood fingerboard
24-3/4" scale
Alnico Classic humbuckers
2 vol, 1 tone control
3-way pickup switch
LockTone Tune-O-Matic bridge and stopbar tailpiece for more sustain and easier string changing
At the heart of the all-tube Peavey ValveKing 112 Combo Amp is a patent-pending, Class A/B Texture control that allows variable selection and combinations of Class A and Class AB power structures. The Texture knob lets you coax a wide range of tones out of this amplifier. It features 12AX7 preamp and 6L6GC power amp tubes; a specially voiced 12" ValveKing speaker; 2 footswitchable channels with independent 3-band EQ and volume; footswitchable boost on the lead channel (with optional footswitch); global reverb control; a buffered effects loop; and external speaker jack.
Features:
50W all-tube power
Texture variable Class A/AB blend control
2 footswitchable channels
(w/optional footswitch)EQ and volume for each channel
Back in 1982, the very first Squier by Fender guitars and basses came ringing out of Asia. Known for their excellent vintage-quality look, feel, sound and construction, those early Squier instruments and their Fender branded counterparts are now highly sought-after collector's items revered by guitar enthusiasts as models of "getting it right" while aiming at value-conscious players. The Squier Classic Vibe Series reflects that simultaneous commitment to excellence, value and vibe. Mirroring classic Fender designs, the Classic Vibe offering is not intended to be era or vintage correct, but rather imparting the 'vibe' of a classic Fender design.
The Squier Classic Vibe Duo-Sonic '50s is an electric guitar that is dripping with coolness and classic Fender vibe. The Duo-Sonic guitar was originally conceived as a student-grade model designed to capture the attention of 1950s youth caught up in the burgeoning rock 'n' roll craze. Collectors, performing musicians and Fender fanatics have since come to know the Duo-Sonic as an ultra-cool addition to the Fender line of Fine Electric Instruments.
Features:
Body: Basswood
Finish: Polyester
Neck: 1-Piece Maple, Modern "C" Shape
Fingerboard: Maple, 9.5" (241 mm)
Frets: 21, Medium Jumbo
Scale Length: 24" (610 mm)
Nut Width: 1.65" (42 mm)
Hardware: Chrome
Tuning Keys: Vintage style tuning machines with white plastic buttons
Bridge: Vintage style, 3-saddle bridge
Pickguard: 3-ply Tortoise shell
Neck pickup: Custom Duo-Sonic pickup (AlNiCo V)
Bridge pickup: Custom Duo-Sonic pickup (AlNiCo V)
Pickup switching: 3-Position Toggle - Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Controls: Volume, Tone
Strings: (.009 - .042) Nickel Plated Steel
Unique Features: Desert Sand over basswood; 21-fret gloss maple neck; gold anodized pickguard; vintage style tuning machines with white plastic buttons; vintage style 3-saddle bridge; custom Duo-Sonic pickup set with AlNiCo V
The solid basswood body provides great resonance, especially on the bottom tones. The quilted maple top is not only beautiful, but adds clarity and sparkle to your tone. 24 jumbo frets offer easy playing for leads and chording, and an Edge III tremolo bridge allows you to dive-bomb to your heart ' s content. Features 2 Ibanez INF humbuckers in the bridge and neck positions, an INF single coil in the middle and a bolt-on 3-piece maple neck with a headstock to match the body. The quilted maple top, wide neck and binding and shark tooth inlays on a 25-1/2"-scale rosewood fingerboard give it a striking both sweet and dangerous look. 24 jumbo frets deliver insane playability for riffers and shredders alike.
The Ibanez RG4EXQM1 electric guitar ' s pickups and pickup placement provide the hard-edged cutting tone needed for heavy rock.
Since 1987, many players have selected the Ibanez RG as their weapon of choice for visiting sonic mayhem on the metal masses. With the right choice of pickups plus flat and fast necks, the RG has crunched its way to classic status. To the RG ' s lethal combination of features, RG Prestige models add the comfortable, rounded feel of Prestige neck finishing, drop-dead good looks and great electronics and hardware.
The Boss eBand ushers in the ultimate musical companion for guitarists who love jamming with their favorite songs. This portable all-in-one audio player is packed with big features: WAV and MP3 files can be loaded and played by Boss eBand, and the tempo and pitch can be changed. Plug in your guitar and jam along using the music player's powerful onboard COSM preamp and Boss effects. You can minimize the prerecorded vocals or guitar parts with the Center Cancel feature for minus-one play, and record and save your jams. There's even a sound library of backing tracks and rhythms onboard, plus a built-in tuner and metronome.
Boss onboard effects
The Boss eBand is loaded with high-quality Boss effects, including over 100 powerful guitar sounds that span a variety of genres. The Boss eBand also features the COSM preamp. Using eBand's Guitar/Mic input, you can apply the internal processing to your guitar or voice.
EZ TONE Sound Wizard
Creating your own sounds is simple with Boss eBand. The EZ TONE feature provides a quick, intuitive approach to tone creation based on graphic icons and a Tone Grid. You'll be programming at the speed of sound.
Memory-Card Compatibility
SDHC memory cards of up to 32GB can be plugged into the Boss eBand, letting you store thousands of WAV/MP3-format songs per card. eBand also lets you play WAV/MP3 files directly from USB memory stick, expanding your data storage and file-management options. (eBand comes with a 1GB SD card)
Convenient Phrase Trainer
Phrase Trainer is a feature packed function convenient for practicing phrases from imported songs. Phrase Trainer includes functions to control pitch and tempo of imported songs, Center Cancel for minimizing the guitar or vocal parts from prerecorded audio, and AB repeat. Now you can learn phrases without feeling any stress.
USB Audio Interface
The eBand audio player can be used as a USB audio interface, allowing the audio signals from eBand (audio-player sound + live guitar/vocal sound) to be transferred to PC via USB. As a result, Boss eBand audio can be recorded into DAW software on your PC. Furthermore, audio from PC can be played back on eBand. This means eBand can function as USB speakers for your PC.
Cool Extras
There are many other notable features packed into Boss eBand, including an internal recorder for capturing your guitar performances as you play along with songs or backing tracks. And speaking of backing tracks, 300 audio-loop phrases are onboard for jam-along inspiration. Of course eBand is also equipped with the essential built-in tuner and metronome.
Features
Imports and plays audio files (WAV and MP3)
Pitch and tempo control of imported songs
Guitar/Mic input with dedicated input control; headphone output
Custom-tuned speakers for powerful playback
COSM Preamp and 100+ effects derived from BOSS GT-10
EZ Tone function provides the ultimate easy-to-use, intuitive approach to sound creation based on graphic icons
300 audio-loop phrases onboard for backing tracks and rhythms (some include companion guitar effects pre-programmed to match the loops)
Tuner and metronome built in
Records and saves your guitar performances
USB audio interface for direct link to and from PCs
Play songs from USB memory stick
Import your favorite songs from audio CD to eBand with included utility software (PC/Mac)
Memory Capacity: Depends on the SD/SDHC Card (128 MB to 32 GB)
Data Type: JS-8 Songs (Recording/Playback), MP3 (Bit rate: 64 kbps to 320 kbps, Playback only), WAV (Quantization Bit Rate: 8/16/24-bit, Playback only)
External Memory: USB Memory
AD Conversion: 24-bit + AF method* (GUITAR/MIC IN), 24-bit (LINE IN)
Recording Time: JS-8 Songs: 250 min. (1GB), 8,060 min. (32GB), WAV/16-bit/Stereo: 90 min. (1GB), 3,020 min. (32GB), MP3/128 kbps/Stereo: 1,040 min. (1GB), 33,330 min. (32GB)
Input Impedance: guitar/mic in: 1 mOhm, aux in: 22 kOhms
Nominal Output Level: phones: -10 dBu, line out: -10 dBu
Output Impedance: phones: 44 Ohms, line out: 1 kOhm
Internal Speaker: Stereo
Display: 132 x 64 dots graphic LCD (with backlit)
USB: Supports file transfer (mass storage class) and audio
Connectors: guitar/mic in (1/4" phone type), AUX in (Stereo miniature phone type), phones (Stereo miniature phone type), line out (RCA phono type), EXP pedal/CTL 1,2 (1/4 inch TRS phone type), USB memory (USB A), USB (USB B), DC IN
Current Draw: 400 mA
Accessories: AC adaptor (PSB-1U), SD card (1 GB), Owner's Manual, Roland Service (Information Sheet)
This back in black menace definitely sends a message even before you start playing it. The Epiphone Goth G-400 Electric Guitar is a twisted version of the Gibson '62 SG with solid mahogany body and slim-tapered set mahogany neck. The rosewood fingerboard has a VII inlay at the 12th fret and the headstock is highlighted with a Celtic cross. The deep SG styled double-cutaways let you reach all 22 frets with ease. Separate volume and tone controls for each of the open-coil high-output Alnico V humbuckers give you complete control of your sound. An innovative integrated killswitch/tone pot lets you create a sonic strobe effect. The Goth G-400 is bathed in a satin black finish and sports black-chrome hardware. The LockTone Tune-O-Matic bridge and LockTone stopbar tailpiece add more sustain and make string changing easier. Limited lifetime warranty.
Features:
Double-cutaway solid mahogany body
Set mahogany neck
24-.75" scale length
Slim-tapered neck profile
Rosewood fingerboard
1.68 nut width
Fingerboard inlay at the 12th fret
22 jumbo frets
Dual Alnico V humbuckers
2 volume and 2 tone controls (with integrated killswitch tone pot)
