The DigiTech Bad Monkey Tube Overdrive Pedal gives your amp a boost right where you need it, sending your signal from clean to smooth, classic overdrive with character and dynamics. Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies for just the right sound. The Level knob boosts the output level of your signal, and the Gain knob controls the level of overdrive distortion. The Amp output runs into the input of your amplifier and the dedicated Mixer output has a cabinet emulation circuit that lets you run direct into a mixer or recorder when you don't want to lug your amp along.
The DigiTech SC-2 HardWire valve distortion pedal captures the full spectrum from today to yesterday: from classic rock crunch to modern high-gain sounds, and all the flavors in between. Crunch/Saturated mode switch, level, gain and low and high tone controls allow you to use the SC-2 pedal to further tailor your sound.
The DigiTech HardWire pedal series represents DigiTech's commitment to quality and attention to subtle details. In addition to technical enhancements like true bypass and high voltage operation, all HardWire pedals feature rugged, all-metal construction, a wide, stage-stable footprint, durable, custom-machined metal knobs for a sure grip, and precision potentiometers that guarantee knob positions will stay intact.
The rugged, durable construction of Extreme Performance Pedals is just the beginning. Inside each HardWire pedal are technological features that serious players require—all updated and improved to their utmost capacity. True bypass preserves the purity of your original tone as signal passes through the pedal, and high voltage operation further protects your sound by eliminating clipping and other signal degradation caused by power drain.
With the high-output pickups found on some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by a guitar's pickup is greater than the operating voltage of the effects pedal—normally limited to the voltage supplied by the effect's battery or power supply. HardWire pedals incorporate circuitry that increases the operating voltage headroom above that of the typical pedal. As such, HardWire pedals benefit a wider range of guitars and are also at home in an amplifier's effects loop.
Features:
True Hardwire bypass
Constant high-voltage rails
2-position Crunch/Scoop voicing switch
1/4" input and output
Level, gain, low, and high tone controls
9V DC battery operation
Optional PS200R adapter compatible
HardWire Pedals include the following stage accessories:
Stomplock™ knob guard locks your tone in place and prevent tampering or accidental knob adjustments onstage
Pedal Switch Glow Sticker helps you locate the pedal in adverse stage lighting
Custom-cut Hook and Loop Pedalboard Pad to attach and lock your pedals to your pedalboard
The performance and sound of the new DigiTech Whammy Pedal with MIDI Control are reminiscent of the original red WH-1 Whammy. All the favorite whammy settings that guitar players covet are available again at the touch of a knob. Added is a new Dive Bomb effect, similar to that of a Floyd Rose whammy bar pushed all the way to the body of the guitar. Another new addition is a MIDI-in jack, allowing remote control of effects via MIDI devices. Both type and control are accomplished via MIDI program changes and CC messages respectively. Wet/Dry outputs are provided.
The DigiTech Screamin' Blues Overdrive Distortion Pedal is designed for guitarists who need a pedal that gives them total control of their tone and is highly responsive to playing dynamics. Playing the Screamin' Blues pedal lightly produces mild overdrive, but dialing up the gain and digging in hard makes it sing with ultrarich harmonics and sustain. Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies. The Level knob boosts the output level of your signal, and the Gain knob dials up the distortion. An Amp output on the DigiTech Screamin' Blues pedal goes to your amplifier and the dedicated Mixer output has a cabinet emulation circuit that lets you run direct into a mixer or recorder when you don't want to lug your amp along.
The DigiTech EX-7 gives you all the classic bad boys in one amazing effect pedal with models based on the Dunlop Cry Baby Wah, Vox Clyde McCoy Wah, DigiTech XP300 Space Station, DigiTech Whammy, Unicord Univibe, Leslie 145 Rotary Speaker, and the A/DA Flanger.
All the effects of the DF-7 Distortion Factory are also included in this Expression Factory pedal, with models based on the following distortion pedal/amp/cab configurations: the Ibanez TS9 through a Fender 1965 Deluxe Reverb 1x12, the DOD 250 through a Marshall 4 x12, the Boss DS-1 through a Johnson Amplification 4 x12, the Pro Co Rat through a Fender Bassman 2 x12, the Boss Metal Zone through a Johnson 4 x12, the DigiTech Metal Master through a VHT Amplification 4x12, and the EH Big Muff pi through a Marshall 4x12 with 25 watt Celestions.
Each pedal model has 6 controls -- 3 expression effect controls plus 3 distortion controls. Flexible output mode and separate amp and CIT (cab modeling) mixer outputs that feed your stage rig and PA system. Rugged cast-metal treadle and chassis. Included power supply.
Names used in this document are trademarks of their respective owners, which in no way are associated or affiliated with DigiTech. These trademarks of other manufactures were used to identify products whose sounds were reviewed in the making of this product.
The DigiTech XMM Metal Master Heavy Metal Distortion Pedal makes any amp sound raging. Multidistortion technology produces seemingly endless distortion types that can be morphed into wild combinations. Morph among endless combinations of the most brain shredding, headbangin' distortions out there: the Boogie Mark III, Boss Metal Zone, DOD Death Metal, Rectifier, and beyond! The Metal Master also features powerful spectral-contouring EQ plus a clean signal out and a special out for cab modeling. High enough quality for studio use. Distortion pedeal controls include Level, Lo and Hi EQs, and Morph.
Features
Multiple distortion types
Morph among Boogie Mark III, Boss Metal Zone, DOD Death Metal, Rectifier, and beyond!
The DigiTech HardWire CM-2 Tube Overdrive guitar pedal gives you incredibly rich tube tone when you engage it - and completely true signal bypass when it's off. The pros choose pedals with true bypass because it's the only way you're going to keep your tone exactly the way you want it between your guitar and amp. The CM-2 also features high-voltage operation for improved headroom over "conventional" pedals, plus a 2-position Classic/Modeled voicing switch and Level, Gain, Low, and High tone controls.
With the high-output pickups found on some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by a guitar's pickup is greater than the operating voltage of the effects pedal—normally limited to the voltage supplied by the effect's battery or power supply. HardWire pedals incorporate circuitry that increases the operating voltage headroom above that of the typical pedal. As such, HardWire pedals benefit a wider range of guitars and are also at home in an amplifier's effects loop.
Features:
True Hardwire bypass
Constant high-voltage rails
2-position Classic/Modified voicing switch
1/4" input and output
Level, gain, low, and high tone controls
9V DC battery operation
Optional PS200R adapter compatible
HardWire Pedals include the following stage accessories:
Stomplock knob guard locks your tone in place and prevent tampering or accidental knob adjustments onstage
Pedal Switch Glow Sticker helps you locate the pedal in adverse stage lighting
Custom-cut Hook and Loop Pedalboard Pad to attach and lock your pedals to your pedalboard
The RP500 Multi Effects Pedal is built like a tank, from a cast metal chassis to the 9 vacuum-style switches. A large 10 character LED display makes for easy stage use topped by an built-in expression pedal to control wahs, volume, Whammy™ and other parameters.
Your sound is king so having control of your sound is imperative. The DigiTech RP500 pedal gives you the control to express yourself the way you want—no longer will the lack of control stand in the way of your expression.
Features :
Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
Amp/Cabinet Bypass turns the RP500 into a true effects processor that works with your amp's tone
Heavy-duty vacuum switches for program changes, effect on/off changes, bank up and down, tap tempo and tuner
Bright LEDs display program status and effect on/off
Large 8 character LED display for program name, bank name, and tuner
Large 2 character display for program number and tuning reference
Built-in expression pedal controls the RP500's internal wahs, volume, Whammy™, and other parameters
Specifications :
Compressor / Sustainers:
Boss CS-2Compressor / Sustainer
DigiTech Main Squeeze Compressor
MXR Dynacomp
Wah / Volume: Dunlop Cry Baby Wah
DigiTech Full Range Wah
Vox Clyde McCoy Wah
Volume Pedal
Distortions & Overdrives:
SCREAMER (Based on an Ibanez TS-9)
TS 808 (Based on an Ibanez TS-808 Tube Screamer)
SPARKDRIVE (Based on a Voodoo Lab Sparkle Drive)
OD OVERDRIVE (Based on a Guyatone Overdrive OD-2)
DOD 250 (Based on a DOD 250 Overdrive/Preamp)
RODENT (Based on a Pro Co RAT)
MX DISTORTION (Based on an MXR Distortion +)
DS (Based on a Boss DS-1 Distortion)
GRUNGE (DigiTech Grunge)
ZONE (Based on a Boss MT-2 Metal Zone)
DEATH METAL (DigiTech Death Metal)
GONKULATOR (Based on a DOD Gonkulator Ring Modulator)
8TAVIA (Based on a Roger Mayer Octavia)
FUZZLATOR (Based on a Demeter Fuzzulator)
CLASSIC FUZZ (Based on a DOD Classic Fuzz)
FUZZY FACE (Based on an Arbiter Fuzz Face)
BIG PI (Based on an Electro-Harmonix Big Muff Pi)
DigiTech Redline Overdrive
Amplifiers & Acoustics:
57 CHAMP Based on a '57 Fender Tweed Champ
57 DELUXE Based on a '57 Fender Tweed Deluxe
59 BASSMAN Based on a '59 Fender Tweed Bassman
62 BROWN BASSMAN Based on a '62 Fender Brownface Bassman
65 TWIN REVERB Based on a '65 Fender Blackface Twin Reverb
65 REVERB(Based on a '65 Fender Blackface Deluxe Reverb
65 JTM-45(Based on a '65 Marshall JTM-45
68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL Based on a '68 Marshall Jump Panel
77 MASTER VOLUME Based on a '77 Marshall Master Volume
83 JCM800 Based on an '83 Marshall JCM800
93 JCM900 Based on a '93 Marshall JCM900
01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
62 AC15 Based on a '62 Vox AC15
63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
69 HIGH WATTAGE Based on a '69 Hiwatt Custom 100 DR103
81 MARK IIC Based on an '81 Mesa Boogie Mark II C
01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
99 LEGACY VL-100 Based on a Carvin Legacy VL-100
96 MATCH HC-30 Based on a '96 Matchless HC30
88 SLO-100 Based on an '88 Soldano SLO-100
Gibson GA-40
Peavey 5150 II
Roland JC-120
Sunn 100S
Randall HT-100
DIGITECH SOLO DigiTech Solo
DIGITECH METAL DigiTech Metal
DIGITECH BRIGHT CLEAN DigiTech Bright Clean
DIGITECH CHUNK DigiTech Chunk
DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
DIGITECH CRUNCH DigiTech Crunch
DIGITECH BLUES DigiTech Blues
DIGITECH FUZZ DigiTech Fuzz
DIGITECH SPANK DigiTech Spank
DIGITECH HIGH GAIN DigiTech High Gain
DIGITECH MONSTER - Maxed out gain
DIGITECH "TWEEDFACE" — Tweed preamp w/Blackface power amp
DIGITECH "65 Blackface Bassman" — '65 Blackface preamp with Bassman power amp
DIGITECH STONERROCK — Thick, sludgy distorted amp tone
DIGITECH DARKMETAL — Responsive, tight metal tone
DIGITECH TRANSISTOR — Solid state transistor amp sound
DIGITECH BROWNSOUND — Hot rodded '80s stack tone
DIGITECH MOSH — Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
DREADAUGHT ACOUSTIC
JUMBO ACOUSTIC
Cabinets:
CHAMP 1X8 Based on a 1x8 '57 Fender Tweed Champ
DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe
DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
BRITISH 1X12 Based on a 1x12 '62 Vox AC15 w/20W Vox Speaker
BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman
TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb
BRITISH 2X12 Based on a 2x12 '63 Vox AC0 Top Boost w/ Jensen Blue Backs
BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman
BRITISH 4X12 Based on a 4x12 Marshall 1969 Straight w/ Celestion G12-T70
GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
FANE 4X12 Based on a 4x12 Hiwatt Custom w/ Fane Speakers
BOUTIQUE 4X12 Based on a 4x12 '96 VHT Slant w/ Celestion Vintage 30's
VINTAGE 4X12 Based on a 4x12 Johnson Straight w/ Celestion Vintage 30's
The DigiTech RP355 is a guitar multi-effect pedal that gives you 126 amps, cabinets, stompboxes, and effects in a single unit. Use the DigiTech RP355 pedal to create virtually any sound you want, just like the pros. With USB streaming audio and Cubase LE4, the RP355 modeling pedal easily records directly to your computer with sound so good people will think that your song was recorded in a major studio.
Effects
Volume/Wah Models based on:
Volume Pedal
DigiTech Full Range
Dunlop Cry Baby* Wah
Vox Clyde McCoy Wah*
Compressor/Limiter Models based on:
DigiTech Compressor
Boss* CS-2
MXR DynaComp*
Pickup Simulators:
Single Coil > Humbucker
Humbucker > Single Coil
Acoustic Simulators based on:
Dreadnaught Acoustic
Jumbo Acoustic
Noise Gate/Auto Swells:
DigiTech Noise Gate
DigiTech Auto Swell
Chorus Effects based on:
Boss *CE-2 Chorus
TC Electronic* Chorus
DigiTech Dual Chorus
DigiTech Multi Chorus
DigiTech Envelope Filter
DigiTech Auto Ya
DigiTech YaYa
DigiTech Synth Talk
DigiTech Step Filter
DOD FX25
Equalization
4 band EQ
Delays based on:
DigiTech Analog Delay
Boss DM-2 Analog Delay
DigiTech Digital Delay
DigiTech Modulated Delay
DigiTech Pong Delay
DigiTech Tape Delay
Maestro* EP-2
Echoplex Tape Echo*
Reverbs based on:
Fender Twin Reverb*
Lexicon Ambience
Lexicon Studio
Lexicon Room
Lexicon Hall
EMT* 240 Plate
Amps based on:
'57 FenderTweed Champ*
'57 Fender Tweed Deluxe*
'59 FenderTweed Bassman*
'65 Fender Blackface* Twin Reverb*
'65 Fender Blackface*Deluxe Reverb*
'65 Marshall "JTM-45*
'68 Marshall 100 Watt Super Lead* (plexi)
'68 Marshall* Jump Panel
'77 Marshall Master Volume*
'83 Marshall *JCM800
'93 Marshall* JCM900
'62 Vox* AC15
'63 Vox* AC30 Top Boost
'69 Hiwatt*Custom 100 DR103
'81 Mesa/Boogie* Mark II C
'01 Mesa/Boogie Dual Rectifier*
'96 Matchless* HC30
'88 Soldano* SLO-100
DigiTech BlackBass
DigiTech Bright Clean
DigiTech Brownsound
DigiTech Chunk
DigiTech Clean Tube
DigiTech Dark Metal
DigiTech High Gain
DigiTech Metal
DigiTech Monster
DigiTech Solo
DigiTech Stoner Rock
DigiTech Tweedface
DigiTech 2101 Clean Tube
DigiTech 2101 Saturated Tube
Distortion Stompboxes based on:
Arbiter Fuzz Face
Boss DS-1 Distortion
Boss MT-2 Metal Zone
Demeter Fuzzulator
DigiTech Death Metal
DigiTech Grunge
DigiTech Redline Overdrive
DOD 250 Overdrive/Preamp
DOD Classic Fuzz
DOD Gonkulator Ring Modulator
Electro-Harmonix Big Muff π
Guyatone Overdrive OD-2
Ibanez TS-9 Tube Screamer
Ibanez TS-808 Tube Screamer
MXR Distortion +
ProCo Rat
Roger Mayer Octavia
Voodoo Labs Sparkle Drive
20-second looper
126 Amps, cabinets, stompboxes and effects
34 Amp/Acoustic Types
18 Cabinet Types
Lexicon Reverbs
30 Tone and 30 Effects Libraries
140 presets (70 factory, 70 user)
Cubase LE4 recording software included
Up to 5 seconds of delay time
24-bit 44.1kHz sample rate
60 High quality drum patterns
2 x 2 USB audio streaming
USB editing via DigiTech X-Edit
Independent 1/4" Left and Right Outputs
Independent Balanced XLR Left and Right Outputs
Amp / Mixer switch optimizes 1/4" outputs for amps and mixers
Stereo 1/8" headphone output
Stereo 1/8" Aux Input
Learn-A-Lick Phrase Trainer
Built-in chromatic tuner
Durable die-cast chassis
Built-in expression pedal
Power supply included
The DigiTech Hot Head Distortion Pedal is what you want when you need some grit. The multipurpose Hot Head distortion pedal has flexible controls that let you dial in the right tone for your setup. If you want just a little dirt or you need your amp to sound like a raging stack, the DigiTech Hot Head Guitar Pedal can do it.
Low and High tone controls give you the flexibility to boost or cut the bass and treble frequencies, the Level knob boosts the output level of your signal, and the Gain knob dials up mild to wild distortion. The Amp output runs into the input of your amplifier and the dedicated Mixer output has a cabinet emulation circuit that lets you run direct into a mixer or recorder when you don't want to lug your amp along.
